I like a good I-cord bind off, and have used the technique quite a bit, most lately in my Kenneth Street Slippers and in my upcoming Octopus Slippers. (They’ll be out March 17; I’ll update this post with a link when there’s something to link to. In the meantime, here’s a sneak preview, showing the grafted bind off.)
I’ve got a couple of designs coming out this fall that use a provisional cast on, so hey presto! Here’s a tutorial for the crochet provisional cast on I generally use.Continue reading
If you follow me on Instagram, you probably know that I’m on a bit of a stripey hat kick. I find these hats to be just the right combination of mindless knitting and creative play: they use up all kinds of leftovers and little skeins, and I get to play around with colour without worrying whether it’ll look good in sample photos or the stripes are perfect or the colours are maybe a bit weird.Continue reading
I do like an illustrated tutorial. I like the simplicity of the pictures, I like their imperfect hand-drawnness, and as it turns out, I rather enjoy making them. I’ve done a couple of tutorials for my new accessory collection*, and now that they’ve been editor-approved, I thought I’d share them here. Today: How to do German Short Rows.
It’s been ages since the last tutorial, hasn’t it? Time to fix that. With a new centre-out design coming out in the fall and the release of a revised version of the Sweet Lullaby Seamless Hooded Baby Blanket, now’s a good time to demonstrate a useful cast on for projects worked from the centre: the Emily Ocker cast on. This is the cast on that I go to for centre-out work, as I find it fairly easy to do, and a simple tug on the tail closes the hole left in the middle of your work. Continue reading
So my car knitting shawl/scarf thingy is coming along nicely,
and I was thinking about how useful the embossed leaf motif is. It’s easy: a series of increases at the bottom, some straight rows if you wish, and a series of decreases at the top. It’s adaptable: you can change the appearance, shape, and size by changing the type and placement of your increases and decreases. It’s self-contained: an embossed leaf grows and shrinks independently of the rest of the piece, so that you can keep doing whatever you were doing for the rest of the stitches, and at the end of each leaf you’re back to the same stitch count you had at the beginning. If you prefer your leaf to be flat, rather than raised, you can use corresponding decreases and increases outside the edge of leaf, keeping the overall stitch count constant. Continue reading