It started in May. I had a week to go before my road trip to Maryland Sheep & Wool, and the itch set in. The itch to make something for this trip. I can make something in a week, surely. It’s not like I have anything else to do. (I had a lot else to do.) I know: I’ll make some slippers! My beloved old moccasins are looking pretty beat up, and they take up a fair bit of room in the suitcase, and I bet I can whip out a pair of ballet-ish slippers that look nice and pack small and will keep my bare feet off the hotel carpet.
Now, this is not my first last-minute-travel-project rodeo, and though I was tempted to also spin the yarn for these things, I knew that that way lay madness. Besides, that’s much of the point of a stash, surely: to have exactly the right yarn when inspiration strikes, just waiting for you to pull it out and get knitting. So I did. I found some worsted weight from Imperial Yarn in a heathery bottle green, and off I went.*
…than I’m off again. It feels like I just got back from DC (wait, I did just get back—I’ve only been home a week), and I’m packing to head up to Toronto. This trip is for fun: my sister, who lives up in the T dot, is getting married to a lovely man, and the clan is gathering for the event. My other sister has rented a cottage, so there will be city time and lake time and family time and time with old friends from the punk rock stompin’ around town years. Many of my internet friends are gathering while we’re there (for another wedding—apparently it’s the thing to do right now), so there will also be time with old friends I’ve never met in real life. And there will be knitting. I got shockingly little knitting done during TNNA, and hooboy, am I going to make up for that in the next couple of weeks. (See above re: lake time: there’s a whole nine glorious days of it.) Of course, most of it will be work knitting, but that’s my favourite kind of work, so I don’t mind one bit. Continue reading
I’ve got one last scarf pattern for this season, and it’s something a bit different: a generous scarf with a slipped stitch texture, knit sideways to allow for lovely, long stripes.
Snowchaser uses stitches slipped with the yarn in front to create a subtle texture that is pleasing on both sides of the fabric. Continue reading
As a fan of woolly wool, I really like Brooklyn Tweed‘s yarns. I’ve noodled around with Shelter and Loft, and just love the light, spongy, cohesive fabric these woolen-spun yarns create, and the wide range of lovely, heathered colours are a colourwork fan’s dream. It pleases me that these beautiful yarns are made sheep to skein here in North America. (I love the house yarns by the mill they use, Harrisville Designs, for all the same reasons.) So when Brooklyn Tweed released Quarry late last year, just as I was finishing the next round of samples for photography, I had to try it. A bulky weight yarn at 200 yds/100g? I could get a hat out of that in no time at all, and have one more sample ready to go. When the skein arrived, I played around with stitch patterns to see what it could do, and it turned out that what Quarry does really well is texture. Ribs and cables turned out beautifully. I didn’t want to stop knitting with it: I wanted a big, generous scarf out of this stuff. Not the most practical thing for the South, but fie on that. Sometimes you just have to go where the inspiration takes you. I ordered more skeins, and knit. And knit. And very soon I had a scarf. And it was exactly what I’d pictured. It’s warm and cozy and the pattern reminded me of runnels of melting ice water, so I called it Meltwater.
Contrariwise actually started as an idea for a cowl: squishy, double loop cowl in stranded colourwork, which evolved to include bands of texture made with slipped stitches. As it happens, it took longer to get the cowl ready for release, so here it is, the first started and the last finished: Circular Reasoning. Continue reading